MY FIRST MUSE

MY FIRST MUSE, 2026
“You write what was. I dance what is coming.”
 
MY FIRST MUSE exists somewhere between tapestry, body, frequency system, and vessel of memory. The work is based on several incarnations connected to the blue Soul-Code.
 
At its core lies no linear narrative, but a dynamic:
attraction and provocation,
admiration and translation,
creative activation instead of romantic reflection.
 
The intentionally imperfect tension of the fabric references historical textile image traditions — from late medieval devotional cloths and Renaissance wall tapestries to Baroque drapery and ceremonial court textiles used as narrative surfaces. At the same time, the material behaves like skin, curtain, or opened membrane. The work appears less “hung” than as though it had physically collapsed or emerged into the room itself.
 
Between faces, urban fragments, beings, symbols, and energetic streams, new readings constantly emerge. A central form oscillates between face and vagina — perception and origin collapse into the same structure. Creativity appears here as physical, spiritual, and emotional primal energy.
 
The phosphorescent layers activate a second reality at night. Hidden forms, additional figures, and new tensions begin to surface. The work changes with light — like a memory that can never be fully accessed at once.
 
MY FIRST MUSE is less a portrait of a person than the representation of a first creative portal:
the first muse who did not mirror, but opened.